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Fragment of a speech entitled “Otro Corazón: The Geographies of Love’’ by Tomás Ybarra Frausto, 2018

Fragmento del discurso: “Otro Corazón: The Geographies of Love’’ de Tomás Ybarra Frausto, 2018

Luis Leal, “In Search of Aztlán” (Translated by Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Luis Leal, “In Search of Aztlán” (Traducción Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Fragment of a speech entitled “Otro Corazón: The Geographies of Love’’ by Tomás Ybarra Frausto, 2018

Fragmento del discurso: “Otro Corazón: The Geographies of Love’’ de Tomás Ybarra Frausto, 2018

Jose Esquivel, Artist’s statement, 2021

Jose Esquivel, Comentario del artista, 2021

Kathy Vargas, Artist’s statement, 2021

Kathy Vargas, Comentario de la artista, 2021

Luis Leal, “In Search of Aztlán” (Translated by Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Luis Leal, “In Search of Aztlán” (Traducción Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Fragment of a speech entitled “Otro Corazón: The Geographies of Love’’ by Tomás Ybarra Frausto, 2018

Fragmento del discurso: “Otro Corazón: The Geographies of Love’’ de Tomás Ybarra Frausto, 2018

Jose Esquivel, Artist’s statement, 2021

Jose Esquivel, Comentario del artista, 2021

Kathy Vargas, Artist’s statement, 2021

Kathy Vargas, Comentario de la artista, 2021

Luis Leal, “In Search of Aztlán” (Translated by Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Luis Leal, “In Search of Aztlán” (Traducción Gladys Leal. Denver Quarterly, 16:3, Fall 1981)

Excerpt from “The Homeland Aztlán | El otro México” by Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Fragmento de “The Homeland Aztlán | El otro México” de Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Excerpt from “The Homeland Aztlán | El otro México” by Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Fragmento de “The Homeland Aztlán | El otro México” de Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Excerpt from “The Homeland Aztlán | El otro México” Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Fragmento de “The Homeland Aztlán | El otro México” de Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)
This map shows the Mexican and United States borders in 1848. This territory is frequently referred to as Aztlán, the ancetral homeland referenced in Mexican codices and oral histories.

Este mapa muestra la frontera entre México y los Estados Unidos de América en 1848. A este territorio usualmente se le refiere como Aztlán, la patria ancestral a la que se hace referencia en los códices e historias orales mexicanas.
Immigrant Crossing, California road sign. The last one disappeared in 2018. Cruce de inmigrantes, señal de tráfico utilizada en California. La última señal desapareció en 2018.
Fragment of a speech entitled “Otro Corazón: The Geographies of Love’’ by Tomás Ybarra Frausto, 2018
Fragmento del discurso: “Otro Corazón: The Geographies of Love’’ de Tomás Ybarra Frausto, 2018

Excerpt from “The Homeland Aztlán | El otro México” by Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Fragmento de “The Homeland Aztlán | El otro México” de Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Excerpt from “The Homeland Aztlán | El otro México” Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Fragmento de “The Homeland Aztlán | El otro México” de Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)
This map shows the Mexican and United States borders in 1848. This territory is frequently referred to as Aztlán, the ancetral homeland referenced in Mexican codices and oral histories.

Este mapa muestra la frontera entre México y los Estados Unidos de América en 1848. A este territorio usualmente se le refiere como Aztlán, la patria ancestral a la que se hace referencia en los códices e historias orales mexicanas.
Immigrant Crossing, California road sign. The last one disappeared in 2018.

Cruce de inmigrantes, señal de tráfico utilizada en California. La última señal desapareció en 2018.
Fragment of a speech entitled “Otro Corazón: The Geographies of Love’’ by Tomás Ybarra Frausto, 2018
Fragmento del discurso: “Otro Corazón: The Geographies of Love’’ de Tomás Ybarra Frausto, 2018

Corky Gonzales, quoted in “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” by Christine Marin (R and E Research Associates, University of Texas, 1977)

Corky Gonzales, quoted in “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” by Christine Marin (R and E Research Associates, University of Texas, 1977)

“El Plan Espiritual de Aztlán” was a foundational document of the Chicano Civil Rights Movement. It was drawn up and adopted during the Chicano Youth Liberation Conference of 1969 in Denver, Colorado.

“El Plan Espiritual de Aztlán” fue un documento fundacional del Movimiento Chicano por los Derechos Civiles. Fue redactado y adoptado durante la Conferencia de Liberación de la Juventud Chicana de 1969 en Denver, Colorado.

Corky Gonzales, quoted in “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” by Christine Marin (R and E Research Associates, University of Texas, 1977)

Corky Gonzales, citado en “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” por Christine Marin (R and E Research Associates, University of Texas, 1977)

Excerpt from “Three days to go” by Ricardo Sánchez. In Selected Poems (Arte Público Press, 1985)

Fragmento de “Three days to go” de Ricardo Sánchez. En Selected Poems (Arte Público Press, 1985)

“El Plan Espiritual de Aztlán” was a foundational document of the Chicano Civil Rights Movement. It was drawn up and adopted during the Chicano Youth Liberation Conference of 1969 in Denver, Colorado.

“El Plan Espiritual de Aztlán” fue un documento fundacional del Movimiento Chicano por los Derechos Civiles. Fue redactado y adoptado durante la Conferencia de Liberación de la Juventud Chicana de 1969 en Denver, Colorado.

Corky Gonzales, quoted in “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” by Christine Marin (R and E Research Associates, University of Texas, 1977)

Corky Gonzales, citado en “A Spokesman of the Mexican American Movement: Rodolfo ‘Corky’ Gonzales and the Fight for Chicano Liberation, 1966-1972” por Christine Marin (R and E Research Associates, University of Texas, 1977)

Excerpt from “Three days to go” by Ricardo Sánchez. In Selected Poems (Arte Público Press, 1985)

Fragmento de “Three days to go” de Ricardo Sánchez. En Selected Poems (Arte Público Press, 1985)

“El Plan Espiritual de Aztlán” was a foundational document of the Chicano Civil Rights Movement. It was drawn up and adopted during the Chicano Youth Liberation Conference of 1969 in Denver, Colorado.

“El Plan Espiritual de Aztlán” fue un documento fundacional del Movimiento Chicano por los Derechos Civiles. Fue redactado y adoptado durante la Conferencia de Liberación de la Juventud Chicana de 1969 en Denver, Colorado.

Excerpt from “The Star Spanglish Banner” by Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)

Fragmento de “The Star Spanglish Banner” de Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)

Ellen Riojas Clark, “Culture is our home” (in Xicanx: Dreamers + Change Makers, MOA/ARENET, 2022)

Ellen Riojas Clark, “Culture is our home” (en Xicanx: soñadores + creadores del cambio, MOA/ARENET, 2022)

Excerpt from “The Star Spanglish Banner” by Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)

Fragmento de “The Star Spanglish Banner” de Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)
Video Transcript | Transcipción del video
Ellen Riojas Clark, “Culture is our home” (in Xicanx: Dreamers + Change Makers, MOA/ARENET, 2022)
Ellen Riojas Clark, “Culture is our home” (en Xicanx: soñadores + creadores del cambio, MOA/ARENET, 2022)

Excerpt from “The Star Spanglish Banner” by Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)

Fragmento de “The Star Spanglish Banner” de Angélica Maria Aguilera (https://getlitanthology.org/poemdetail/170/, 2020)
Video Transcript | Transcipción del video
Cherríe Moraga
Ellen Riojas Clark, “Culture is our home” (in Xicanx: Dreamers + Change Makers, MOA/ARENET, 2022)
Ellen Riojas Clark, “Culture is our home” (en Xicanx: soñadores + creadores del cambio, MOA/ARENET, 2022)

Sandra Cisneros.

Sandra Cisneros.

Excerpt from “A Binational Performance Pilgrimage” by Guillermo Gómez-Peña. In “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Fragmento de “A Binational Performance Pilgrimage” de Guillermo Gómez-Peña. En “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Sandra Cisneros.

Sandra Cisneros.

Judith F. Baca, quoted in “Our People are the Internal Exiles” by Diane Neumaier. In Cultures in Contention. (Douglas Kahn and Diane Neumaier. The Real Comet Press, 1985)

Judith F. Baca, citada en “Our People are the Internal Exiles” de Diane Neumaier. En Cultures in Contention. (Douglas Kahn y Diane Neumaier. The Real Comet Press, 1985)

Excerpt from “Voz en una Cárcel” by Juanita M. Sánchez. In “Chicana Lesbians: The Girls Our Mothers Warned Us About” (ed. Carla Trujillo. Third Woman Press, 1991)

Fragmento de “Voz en una Cárcel” de Juanita M. Sánchez. En “Chicana Lesbians: The Girls Our Mothers Warned Us About” (ed. Carla Trujillo. Third Woman Press, 1991)

Excerpt from “A Binational Performance Pilgrimage” by Guillermo Gómez-Peña. In “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Fragmento de “A Binational Performance Pilgrimage” de Guillermo Gómez-Peña. En “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Sandra Cisneros.

Sandra Cisneros.

Judith F. Baca, quoted in “Our People are the Internal Exiles” by Diane Neumaier. In Cultures in Contention. (Douglas Kahn and Diane Neumaier. The Real Comet Press, 1985)

Judith F. Baca, citada en “Our People are the Internal Exiles” de Diane Neumaier. En Cultures in Contention. (Douglas Kahn y Diane Neumaier. The Real Comet Press, 1985)

Excerpt from “Voz en una Cárcel” by Juanita M. Sánchez. In “Chicana Lesbians: The Girls Our Mothers Warned Us About” (ed. Carla Trujillo. Third Woman Press, 1991)

Fragmento de “Voz en una Cárcel” de Juanita M. Sánchez. En “Chicana Lesbians: The Girls Our Mothers Warned Us About” (ed. Carla Trujillo. Third Woman Press, 1991)

Excerpt from “A Binational Performance Pilgrimage” by Guillermo Gómez-Peña. In “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Fragmento de “A Binational Performance Pilgrimage” de Guillermo Gómez-Peña. En “The Drama Review” Vol. 35, No. 3 (Cambridge University Press, 1991)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)

Gloria E. Anzaldúa, “Borderlands/La Frontera: The New Mestiza” (Aunt Lute Books, 1987)